Michelle.
I'd done a bit of filming for her, and was
rewarded with a canvas to work on. I've known her for
a while, and I guess I'd been leering long enough, as
she offered it up before I could ask.
I was certainly gonna, but she was
quicker on the draw.
As it were.
I've been working
on a design to connect my wife's
two tattoos into one, so THIS session
was gonna be a treat for me. Michelle already
had a couple of Chinese characters on her neck,
and an Egyptian theme running across the top of her back.
Across the small of her back - a bunch of wonderfully
colored flowers.
I got to fill in the space between.
I had kind of forgotten exactly what her
upper back design was, only a vague shape. So I started thinking about a Thunder bird.
I told her, and she said that was something
she'd been thinking about as well.
So it was settled.
Well, it WAS settled.
Then I started worrying about mixing a
Native American piece in with
the others.
I finally decided that with
Chinese, Egyptian, and the flowers
(which I felt had a Polynesian feel), I was safe
to venture into yet another culture. Mixing and matching on Michelle would work out fine.
Besides, a
thunder bird would go with the rest in other
ways, mirroring in shape...
...And in color as well.
Now it's just a matter of playing with
those smears and blends. And there are extra
photos on this session for the whole step-by step thing.
It makes for a decent slideshow.
A little blurred and outside the edges... but that truly doesn't matter - straying slightly outside of your borders. At least in areas where you're gonna go re-define the edges with black anyway.
Still though, I have a few ideas on how to control the smear/blend just a bit.
That'll come soon.
Meantime...
A cotton swab does the trick.
Nicely. A tip though. Buy generic.
Beyond generic. Buy something really really cheap.
Q-Tips have a wonderful, full, fluffy tip - great
for what they're actually
MADE for...
But when ya dip 'em in alcohol and drag 'em across the skin, they start to spread out... sometimes giving less of a smear/blend, and more of a general wash...
...That you have to
disguise with a buncha little circles.
Oh well. Looks good. Works well for that type of art.
Ya don't make mistakes. You make happy
little discoveries.
Now the thing with Sharpies,
is that upon application, they WILL stand out
from a real tattoo. No matter how good (or not) the
Sharpie drawing may be. The trick to avoiding this - is powdering it. Just like if you had just put on
makeup, and were trying
to avoid shine.
Um, I didn't have any.
Michelle asked, "Do you have any corn starch?"
Now that I reflect back on this day, I wonder if she might
have been kidding. Didn't matter at that point.
I was OFF to the kitchen.
BOOM!
Um, I didn't have any corn starch either.
All I could find was some instant gravy kinda
thickener kinda powder
kinda stuff.
Being the person who suggested
corn starch in the first place, Michelle was
okay with this being sprinkled on her. And the stuff spreads okay, but doesn't do too much for taking off that shine.
It just sorta sweeps off, leaving
white powder along the edges of your backdrop.
Uh - and the cat.
Uh - and the cat.
So - this thunderbird remained a bit more vivid
than the other tattoos..
Now the thing is, even without washing,
these things will fade slowly anyway. Well, technically
speaking, they're not actually fading, but rather,
the skin is slowly flaking away. So the next day,
these things are always muted, having the
vibrancy of something more
akin to a real tattoo.
Problem is, with the fading of color,
you get a fading of detail. I always wanted to go
back into one of these things, the day after,
but never pursued the chance.
Until now.
I had mentioned that this session would be a treat for me.
The next day was even better.
And that's the next session.
Some touch-ups - and some additions.
OH! And no no NO more instant gravy kinda
thickener kinda powder kinda stuff
for ME, let me tell ya!
Michelle gave me a small vial of the PROPER powder.
I mean... It SO makes a difference.
Check back and see.
Thanks for stopping by this time around,
and a BIG thanks to Mike Munoz, serving as photographer
for me for this and quite a few
other sessions.
This also, SO makes a difference.
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