Showing posts with label the koi. Show all posts
Showing posts with label the koi. Show all posts

Saturday, December 27, 2014

The Human Canvas - Lilies of the Valley


More like 
Lilies of the Canyon. 
Sunshine Canyon. Just above Boulder.



We'll get to some shots that are a bit closer, 
but first a bit of step by step.
The canvas. Amy.


At this point, 
it's a little hard to make it out. 
This session was one with a few attempts at 
some things that were nice discoveries in the past. 
One of which is the use of the "negative space" to provide 
the color for the flowers that will be showing up. The ink in 
a white Sharpie pen is more akin to paint than diluted dye, 
so if I want a white flower, it's simply a matter of drawing everything AROUND the flower, until the flower shows up. 
I know. I know. I could've done a light blue, or some 
other color, but I wanted to play with use of 
skin tone to provide color. 



The flowers will show up in just a bit. 
One of the other things I wanted to work on 
this evening was blending. Blending and smearing 
of two colors is not a new thing for me. Actually, it's one 
of my favorite things. Normally it's simply a matter of laying down just a touch of one color, then "pulling it out" and blending it with the stroke of another color.

This, as well as 
another type of blend I tend to use, 
was a little bit new, but explored to great effect 
on what became called "Drawing on Many Lessons." 
Check that one out HERE.



For whatever reason, 
I've found that greens do not blend as well 
as blues, reds, or some others. I don't know why. It just is. 
But if you keep working both (or all three) shades in... 
it can turn out quite nicely.

Hardly the focus of the drawing, 
but I REALLY like how the leaves turned out! 
So now -  it's time to get a shot next to some living plants.


Okay. 
Not so much the foliage 
for this shot as it is the muscle and shadows. 
Here's a better shot of the leaves drawn in to create 
the flowers. Or at least to make the color 
of the flowers appear.


Now a bit of stonework...



And then to add some bell flowers. 





These are only slightly similar to ACTUAL 
lilies of the valley. Similar only in that the shape, 
or type of variation of the flower is (loosely) the same. 
And the lilies I ended up drawing are more like Calla lilies. 
On the drive to Boulder, I was thinking about some sort of plant that could normally be found around those parts, 
making it more topical, I suppose... 


But I settled on Lilies. 
Lily is the name of Amy's daughter. 
Simple as that.

The negative space for the flowers used, 
as well as the blending with the leaves, it was time 
to head out into the woods to explore 
another success from the past. 


That is, the use of flash photography at night. 
You can get the subject lit, with the background blacked out. It's not as easy to get the shot ya want this way, but in the day of digital, it's easy enough to snap several shots 
to get the ONE you want. 


But I didn't want just one. 
Every time we ended up near another tree, 
it was another perfect shot. Amy has great muscle tone, 
and was happy to bend, twist, and stretch to give a slight variance on SO many shots that night.








Especially when we got a couple of old stone walls...















And then to an old shed. 
BEAUTIFUL colors to contrast with 
the canvas... 



In front of what was an ordinary wooden door.




And with the deer skull hanging above the doorway... 
Another photo-op SCREAMING to be used. 


Just many, 
many shots that were so nice this night. 
Some that are quite similar to one another, 
but each having it's own charm - with or without 
the other photos to accompany.


So many in fact, 
that there will HAVE to be 
a part two to this session. The next entry 
will be simply skipping the step by step stuff... 
just showing a lot more nice photos from a cool night. 
I did this once before with another, under similar circumstances. That is, too many cool photos to 
put in the original narrative, so I had to make a 
part two. That one also involved flash at night 
and was simply called "Into the Woods," 
which you can see that 
with a click HERE. 

Let's just give THIS entry time to see some visitors.
 But thanks for stopping by on this one. 
Almost 44,000 visitors to this site 
so far. Hopefully we'll see 
you again soon.


Sunday, January 22, 2012

The Human Canvas - Drawing on Many Lessons.


Okay?

Now...

...Let's go back to the beginning.

At the end of an earlier entry for The Human Canvas, entitled Not Sleepless In Seattle (link to it HERE) I said something about it being the first entry of 2012, and that "the house sitter may be next...if'n she's still up for it."

Boy was she up for it. 

But we'll get back to that. 

Shaelyn came over with a specific image in mind.


An idea for a future tattoo. 

Mayyyyybe.


This is about what it would be...just about where it would be.


I wasn't initially gonna include the above photo, but it kinda looks like I colored in her eyes with the same marker, doesn't it? 

NOT recommended. 

Okay. Back to the drawing(s). 


Shaelyn's a cool, art-minded person, and we chatted about the process as we went.  I was telling her about a type of blending that I'd be playing with that evening - she stuck out her arm to serve as a blank slate for a demo, as I explained how I'd be melding these two shades of blue.

The demo tuned into a bonus piece for the evening.


But again...back to the drawing(s).

A quick, quick background, with just a touch of that blending technique on both the seahorse and the background...


...and done...


...Well, done with the seahorse anyway. 

Now...time to PLAY!


Making marks with the orange, then drawing it out (as it were) with a yellow. 


Some detail with a fine line...


...Then something heavier...



...And remembering that as the background gets colored in...

...her skin will show up AS another color...


...So extend those fins and the tail with just a series of dots...

...which gives it just a bit of a looser, frayed edge.


(((Okay. Same moment - different angle. She was actually prepping for class during a great deal of this session. But...again...back to the drawing(s).)))





Some scales and detail later - time to start playing with that blend again.



Really - just a series of marks with any dark tone...


...pulled and spread with a lighter tone.







Now going back to another method...



...A series of rough, fine line sketches...


...Blending the color this time with alcohol and a swab, an experiment I first tried HERE and HERE.


Just a different type of smear, with a different tool. 
I'm sure a garden rake would give a different look as well...



...But wouldn't feel too good.




The leaves...a dark green mark - pulled down and out with a lighter marker.







A bit more dark green again to give a varied tone...


...And some black for definition. 

JUST a bit. NOT going overboard. 

JUST enough for some depth.


Look close...over and over...


...And I think we're done.


Oops. Except for a signature.






Again. Done. 

The photo below is the same as the top of the page, but it's a nice photo, and catches both the seahorse and the back piece.




Oh yeah. 

And I couldn't resist....

...Drawn and Quartered.


Get it?

Oy.

Shaelyn's made it clear, not only HOW close she lives, but that if these only last a few days...

"...we can go at it again in - what - 5 days or so?"
"Excellent."

Truly appreciated. 
It was a great sitting...and there'll be more to come.